Every film below is one we cut, published by the filmmaker who shot it, with its runtime and what that runtime costs written underneath.
How a Wedding Vows Video Is Actually Cut
The ceremony edit is bought for one reason: the vows have to be audible. Everything else about it is in service of that.
The picture side is multi-camera sync — every angle cut together rather than one angle kept and the rest discarded, which is what makes the difference between a recording and a film. The lighting is the hard part: a processional walks from full sun into a dark room in about eight seconds, and a grade that flatters the aisle blows out the altar. We grade the walk as a move, not as two shots.
But the audio is the job. Officiant lavaliers pick up clothing, outdoor ceremonies pick up wind, and the camera microphone at the back picks up the row behind it. Those are routine repairs. The one thing no editor can fix is a vow that no microphone ever heard — if it is not on a track, it is not recoverable, and we will tell you that on day one rather than at delivery.
If the whole day is being cut in order, this is already inside the full film.
What a Wedding Ceremony Video Looks Like
What’s Included in a Ceremony Edit
Everything below is in the number above. None of it appears on the invoice as an extra.
- Every camera cut together, not one angle with the others discarded
- Vows and officiant audio cleaned of wind, room noise and handling
- Color correction and color grading, including the walk from sun into shade
- Music under the processional and recessional, licensed
- The project file, yours to keep
- Unlimited revisions on your first project, two rounds after
Before You Send the Footage
From $165 for ten to ninety minutes, multi-camera cut and audio cleaned.
Usually. Officiant lavalier, room noise and wind are routine work. What cannot be recovered is a vow that was never captured by any microphone — no editor can add what is not there.
Yes, and the price above already assumes it. A ceremony shot on one camera is the exception, not the discount.
Send whatever ran — lavalier, recorder, camera tracks, all of it. More sources means more to cut between, and it costs nothing extra.
Yes, at the same price. Multi-camera is what the price already assumes, so a single angle is not a discount — it is simply less material to work with.
Fourteen days as standard, seven with a rush. Ceremony edits are usually the least urgent piece of a delivery, so most filmmakers take the standard turnaround.
Send Us One Wedding
Start with a single edit. If the first one comes back the way you wanted it, send the next.